Date of Award
Spring 6-3-2016
Document Type
Honors Project
University Scholars Director
Dr. Jeff Keuss
First Advisor/Committee Member
Professor Ronald Haight
Second Advisor/Committee Member
Dr. Eric Hanson
Keywords
Remaster, Remastering, Music, Music Technology
Abstract
ABSTRACT
Due to the growth of recording technology, recorded music has become the most common form of music listening. Having high-fidelity audio is as important on audience perception of the music as the composition and the musical interpretation. As the process of recording and the final medium of the recording have advanced, the fidelity of the audio has increased, thus decreasing the listener’s awareness of the recording itself and bringing their attention to the music. However, older media is reparable to the extent that it can be remastered to decrease scrutiny on the product. What is worth remastering? What is the process of remastering and is there ever a perfect product? Through transferring and remastering Chinese opera tapes, the listener can hear a product closer to “truth” in music. What truth is, ultimately, is up to the remastering engineer’s discretion, as well as that of the audience.
Recommended Citation
Anderson, Julian D., "Studio Magic: The Process, Value, and Ethics of Remastering" (2016). Honors Projects. 53.
https://digitalcommons.spu.edu/honorsprojects/53
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Copyright Status
http://rightsstatements.org/vocab/InC/1.0/
Additional Rights Information
Copyright held by author.
Included in
Ethnomusicology Commons, Musicology Commons, Other Music Commons
Comments
A project submitted in partial fulfillment of the requirements of the University Scholars Program